When I was a girl, [mumble mumble] decades ago, Gothic romance was very much in style. Two of the leading practitioners of the form were Victoria Holt and Mary Stewart, although numerous other writers contributed. Many of my friends remember those books fondly, while admitting that they haven’t actually read one in a very long time. Gothic novels usually featured frightened heroines (often governesses or poor relations) trapped by circumstance in isolated (and sometimes crumbling) manors dominated by aloof and dangerous lords (usually harboring some tragic secret). Readers loved them. But the appeal of the Gothic faded over the decades. Authors turned to more contemporary romantic suspense, and readers followed.
Now and then an adventurous author puts her own twist on the Gothic tradition. Not long ago I happened to read two such modern twists on the Gothic romance in quick succession, two very different books with shared literary DNA:
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